The latest and greatest on Blu-ray and streaming includes Godzilla x Kong: The New Empire, Ghostbusters: Frozen Empire, The Ministry of Ungentlemanly Warfare, and Criterion editions of Bound, Blue Velvet, and The Underground Railroad.
TV’s best show is back.
Rashida Jones and Hidetoshi Nishijima star in an unexpectedly creative hit for Apple TV+ this Summer.
It’s comfy like an old sweater without much of a lesson or moral to get in the way of its overarching sense of warmth.
Orphan Black is back! Sorta.
Clearly inspired by the success of Narcos, this is a dull, dumb show.
The Boys is back. And better than ever.
This is David E. Kelley working in the register he excels at: a legal thriller with just enough interpersonal relationship drama and a touch of mystery.
A review of the new Hulu series starring Dionne Brown from Onyx Collective.
While season two starts strong, it eventually becomes clear that this series is at war with itself.
There’s potential in this series and its slower, more contemplative direction, even as it peppers in one martial arts-infused Jedi fight after another.
The latest and greatest on streaming and physical media, including Criterion editions of Girlfight, Peeping Tom, and All That Breathes, along with a fantastic Arrow 4K of Joe Carnahan’s Narc.
Peacock’s We Are Lady Parts is back and it’s still one of the best shows on TV.
Getting fired from SNL was the best thing that ever happened to Shane Gillis.
Evil is back for what looks like its final full season. It’s still phenomenal. And totally weird.
Bridgerton is back! And a few things have changed for the hit Netflix show.
Inclusivity isn’t new in romantic drama, even if Bridgerton has made it a big part of the conversation again.
Season 2 takes a few missed steps toward the confounding, but commits deeper to the show’s own weirdness.
The latest Netflix international hit isn’t very good.
This is old-school new-school Who, fixated just as much on formula as fun.
